The Will To Live (1997)
— "I mainly use chorus and distortion. I don't
need delay. Most of the time I play without pedals, except
when I need power or feedback." (Ben Harper isn't afraid
to run his delicate Weissenborn through a
fuzzbox.)
Burn To Shine (1999) — "I use a
'70s small button Ibanez tube screamer. I use an Ibanez
delay pedal, a Vox Wah, a small stone Flanger and an old
bow volume, that's all."
2002 — "I run my Weissenborn
through a bunch of different effects, like Vox wah wah,
distortion pedal, and Echoplexes."
Diamonds On The Inside (2003) — I
have an old Ibanez TS808 Tube Screamer, a Vox wah, an old
Ibanez Analog Delay, and an Electro-Harmonix Small Stone
Phaser (
www.ehx.com).