Peggy Dart, 2001 —
A new guitar was invented and made, through a collaborative
venture. Dave made many forms and even a gauze and glue mock-up
body before he made the body in wood. David tried a variety
of shapes, on paper and in redwood, showing me each one, before
he made a decision. Decisions like these, while they may seem
small, are actually big at the time and are hard to make while
making the whole instrument. Do all the parts make a cohesive
whole? Everything has to tie in together as a whole piece.
All the while, Dave was asking himself, will Ben like this?
Does this work? |
| The apex of the bowl is flat so that the guitar
doesn't roll of the lap. |
The peghead was pure creativity
and invention on Dave's part, as he wanted something unique
and fluid to go with the body. |
The markers and ornamentation
are out of abalone and jade, some of which are Dave's invention,
such as the thing that looks like a yin yang symbol in the
pic, but is actually a full moon with a jade dot within a
mother of pearl crescent, to continue the theme. I personally
love that bit.
The star within the circle as a fret marker, is something
that Ben suggested. He said he liked the way the graphics
on the CD, Fight For Your Mind, looked on the back cover;
the song "Power of the Gospel" used the white star
in the blue circle, Ben's favorite, he said. He called them
"targets". The targets continue down the fret board
in green abalone, using the natural concentric circles in
abalone to get the target effect. The whole thing came out
as a work of art, but also sounds like a work of art. |
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David Dart, 2001 — The
Bowl-Back slide is made of Koa and Rosewood for the back ribs.
The top is spruce with the fingerboard and bridge and edge
binding being ebony. The head is made of Mahogany with an
ebony overlay. I will try different woods as well on future
Bowl-Backs.
This instrument was very satisfying to make in many ways.
I think it is the biggest sound and best sounding slide I've
made. It has a very full and round sound with a very distictive
voice. Ben said he was anxious to record with it to see if
it's voice comes through as distictive as it sounds.
It was wonderful to give the guitar to Ben because he said
all the right things to make a maker feel good. He just looked
at it for a long time appreciating all it's parts and then
finally played it and his eyes lit up and he just played for
quite a while. Trying different tunes and styles with it.
He is really pleased!!
I do plan to make more of that model as soon as I can so I
can offer that for people to buy. It's a very difficult body
to make so I have to charge a lot but the sound is worth it.
I can't wait to make one for myself! And I can't wait to hear
Ben record with it! |
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David Dart playing the guitar
just before delivery
© Original article and photos by
David and Peggy Dart
|
Celebrating Imperfection — Ben Harper Keeps It Raw (excerpt)
By Andy Ellis | Guitar
Player (June, 2003).
Andy Ellis : What is that ringing acoustic slide in When
It’s Good ?
Ben Harper : That’s a custom, bowl-back acoustic lap
steel made by David Dart. He’s one of the last guys
who can build a curved back from strips of wood. It’s
mad — the strips run from the hollow neck all the way
to the bottom bout, and he used a cello top made of old German
spruce. This Dart is built so well that it can take extra-heavy
strings, gauged .016-.058. I did three takes of When It’s
Good, and by the time I finished the last one, I had
a blister the size of a walnut on my thumb. |
| :: www.swer.net :: 1999-2006 | credits
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