Ben Harper : "Weissenborn guitars are not only my signature
— they express the essence and depth of my roots."
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Ben
Harper : "Hermann Weissenborn was born in Germany
and settled in Los Angeles. He built his guitars with Koa
(an Hawaiian timber). This wood generates a special sound
wich stays in the air for a long time. The sound of a Weissenborn
doesn't disperse around you, it penetrates through you.
Every slide guitarist would like possess one."
"I worked hard for having such a sound with a slide
guitar, but it's such an accomplishment. I just begin to
feel that I manage to do something at this point, that I
really control what I do."
"It doesn't ring like the other acoustic guitars. By
hearing it, you can say that it is neither a Strat nor a
Les Paul, the sound is different, I hope. It's an electrified
sound, but different. |
Photo ©
Michael Weissenborn |
Sitting down on the stage
during the Fight For Your Mind tour —wearing a sweatshirt
saying "I love Claremont" (his home town)—
Ben Harper speaks about all his Weissenborn guitars (source
: "Ben Harper and The Innocent Criminals" documentary
© Music Planet - La Sept Arte - Morgane production
| English transcript by Gavin Conaty / benharper.net) |
|
"Ben Harper and
The Innocent Criminals" - Music Planet - La Sept
Arte - Morgane production (directed by Michel Viotte,
produced by Gérard Pont and Gérard Lacroix). |
Weissenborn Classic
Ben Harper : "The traditional Weissenborn's probably
about 1920-1930 anywhere between there. It's around the
time when he stopped making 'em. I keep this one with me
a lot. This is really the first one I played. You can see
where my arm rests. It's gettin' sweatin' away here. And
I'm tearin' up the fingerboard startin' to dig a hole in
it. This is the one that I've really grown with and do the
most recording with. "Welcome to the Cruel World",
"Give a Man a Home" were recorded with this one
and "God Fearing Man" was recorded with this one
and "Ground on Down"... a lot of recordings were
done with this one." |
|
"Welcome to the Cruel
World" doc. © JP Plunier, Line Postmyr, Jeff
Gottlieb |
"The neck is hollow
all the way up from the body, this is all hollow... all
the way up and down the back and the top. It's fretless
: you can't play like this at all (holds it up like playing
a standard guitar)... there's no frets, just markers.
It's only a lap slide guitar. And you can't play bottleneck
slide on this guitar because it's too bulky. You can't
get around and you can't get up to the important 12th
fret... 'cause you gotta reach, it's really uncomfortable."
To resolve this problem, Hermann Weissenborn designed
the Weissenborn style Kona. |
 |
Weissenborn
Style Kona
Ben Harper : "The Kona's probably about 5-10 years
earlier than traditional Weissenborn. He built Kona with
a hollow neck halfway and halfway with a standard neck.
So if you wanted to, you could lower the nut. You could
lower that down and you could play regular guitar with
chords 'cause it has frets. You could chord it up the
neck and still have somewhat of a hollow neck sound. Now
since it's not all the way hollow he deepened the body.
As you can see this one's much deeper than the traditional
Weissenborn, to sorta make up for the resonance loss from
the half-hollow neck. And it's quite a different sound,
so Weissenborn made some different models and he experimented
a lot. His bridge is longer and wider. He had this bridge
probably from the start. So this bridge dates this particular
guitar. It has a different finish as well, you can see
traditional Weissenborn's quite shiny, this one's quite
dull, it's called a satin gloss." |
 |
Photo © Barry Brecheisen
| March 21, 1998 - Riviera Theater, Chicago, IL |
Weissenborn Style
Teardrop
Ben Harper : "This one's a teardrop shaped Weissenborn,
or a pear-shaped Weissenborn with a hollow neck. There
are very few of these. Very few, I know of 3, including
this one here."
Dimensions: total length: 95,5 cm (37,6")
- scale length: 63 cm (24,8") - maximal width: 39,2
cm (15,4") - depth: from 3,5 to 8 cm (1,37"
to 3,14"). |
|
"Welcome to the Cruel
World" doc. © JP Plunier, Line Postmyr, Jeff
Gottlieb |
Photo © Barry Brecheisen
| March 21, 1998 - Riviera Theater, Chicago, IL |
Photo © Koichi
"Hanasan" Hanafusa | smashingmag.com
March 5, 2004 - Shibuya AX, Japan
|
In 2003, luthier Bill Asher
started to build accurate reproductions of rare Weissenborn
Teardrop model | read
more |
Canopus
Ben Harper : "This one is not a Weissenborn but it's
a copy. This one is new. This is called a "Canopus".
And there are few makers, quite a few makers now that
are remaking the Weissenborn and this is one of them.
None of the new ones really sound like the originals though.
This one sounds really good, this is a good sounding one.
But this wood... since the guitars were built in the 19teens-1920's
the wood is probably 100 years older than the date it
was built. 50-100 years. The older the wood I've found
the better the sounding instrument. The older the wood
the better the sound from the instrument." |
photo © Barry Brecheisen
| March 21, 1998 - Riviera Theater, Chicago, IL |
Canopus steel guitars are made in
Japan by luthier Yas Kamiya. Yas worked at the Sho-Bud
factory in Nashville in '70s, then came back to Japan
and started making his own steel guitars (both electric
and acoustic). The Canopus acoustic Hawaiian guitars are
made from several kind of materials (mahogany, maple,
bubinga). There are Weissenborn style hollow necks or
Kona style solid round necks with 6 or 7 strings. His
guitars are played by David Lindley and Ben Harper among
others. — source : www.well.com/user/wellvis
Luthier | Yasu
Kamiya |
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| :: www.swer.net :: 1999-2006 | credits
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