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Mike King Mike King
Graphiste
www.voodoocatbox.com
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Burn To Shine (1999)
Design : Mike King, Tom Dolan and JP Plunier - Illustration : Mike King
Live From Mars (2001)
Art direction and design by JP Plunier and Mike King
DVD Pleasure and Pain (2002)
Package art direction and design : Mike King
DVD Live at the Hollywood Bowl (2003)
Package art direction and design : Mike King at Crash Design
Diamonds On The Inside (2003)
Layout and design : Mike King

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Interview par Emmanuel Rivet / www.swer.net - Septembre 2003

Mike King...
Je suis graphiste-designer et créateur de posters. Je suis originaire de Portland, dans l'Oregon. Ces vingt dernières années j'ai eu l'occasion de travailler avec un grand nombre d'artistes, tous très différents; Ben Harper mais aussi Jack Johnson, Pink Martini, Reverend Horton Heat, The Dandy Warhols, Poison Idea et beaucoup d'autres. J'ai débuté en dessinant des flyers pour des groupes de punk rock, en échange d'une entrée gratuite. Au fil du temps on m'a demandé de faire plus de flyers et de posters que je ne pouvais voir de concerts. C'est alors que j'ai commencé à vendre mon travail.

Crash Design...
Il y a quatorze ans j'ai fondé un studio de création appelé Crash Design. J'ai eu plusieurs collaborateurs mais depuis sept ans je suis seul à y travailler.
| www.crashamerica.com


by Mike King
Artworks by Mike King © www.crashamerica.com


Voodoo Catbox...
En 1995 Gary Houston et moi avons eu l'idée de nous associer pour éditer des posters sérigraphiés. Cette expérience a donné naissance à Voodoo Catbox et le site web qui lui est associé voodoocatbox.com, où nous vendons les posters que nous dessinons et imprimons nous-mêmes. Au début on travaillait ensemble sur les mêmes posters mais cela n'a pas duré longtemps car nous avions chacun des idées très différentes sur ce qu'on voulait faire. Nos deux signatures apparaissent sur chaque poster Voodoo Catbox même si un seul d'entre nous y a travaillé, il faut connaitre nos styles respectifs pour savoir qui a fait quoi.



Gary Houston Gary Houston
---
www.voodoocatbox.com
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voodoocatbox.com : "Gary Houston has been designing and screen printing for about as long. Being that they have a mutual love for all types of music they decided to form a loose partnership to design and hand print their own posters. "It's to keep the spirit of hands on production alive, and to give voice to less than mainstream musical groups"."



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Voodoo Catbox Posters
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"Poster art is ground zero of the design movement."

Attack of the Naked Pole Katz | Portland's mayor wages war on a growing urban menace: music posters, diet ads and Haydn. By Zach Dundas - Urban Pulse
Courtesy of Zach Dundas.

[...] The head of Portland's anti-graffiti efforts announced a pilot program aimed at stripping utility and telephone poles along Portland's main pedestrian arteries of the chaotic collages of posters that often jacket them. While some see this free-form propaganda for upcoming rock shows, protests, yard sales and art happenings as the pulse of cultural life, others--including Mayor Vera Katz--see it as a nuisance at best, vandalism at worst. - Katz's office equates this art form with graffiti (the official term is "pole litter"). [...] For most poster critics, the argument is more aesthetic. Many neighborhood activists and merchants view fliers as a visual blight. This isn't the first time the city has responded to such concerns by going on the warpath.
"I think I spoke to a Willamette Week reporter about this very issue 12 years ago," says Mike King, a local graphic designer and poster artist. King and others involved with Portland's art and music scene say a poster wipeout could potentially devastate the city's homegrown culture. For small clubs, bands and galleries, fliers are the one and only source of promotion, and even larger music venues rely on the virtually free medium. [...] Beyond immediate threats to the local arts scene, King says anti-postering efforts could hurt Portland's visual ecology over the long term. "Poster art is ground zero of the design movement," he says. "Everything filters up from there. Ten years ago you didn't see all the distressed, messed-up, distorted graphics that you now see on TV commercials. It all started on telephone poles."


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